Pure PopOne advantage to being in the front row of a Nick Lowe show, in a relatively intimate setting like Portland's Aladdin Theater, is that you can see beyond the modest facade of an aging rocker with gray hair and a wrinkle or two, and witness a musical vibrancy that doesn't really show much ware for age. In short, at age 58 the man can still flat-out
sing, and better than ever I think. And he looks fighting trim, like he could still do tours for another 10 years at least, if he wanted to.
The Lowe show I saw last night was almost all acoustic; one of the encore songs was performed with electric guitar and keyboard backing by
Bill Kirchen and Austin deLone, the former Commander Cody band members who opened for Lowe. Kirchen and deLone didn't do "Hot Rod Lincoln" last night, but Kirchen especially wowed the audience with some fine classic Telecaster playing.
Lowe did just about all my favorites -- including "What's Shakin' On The Hill," "The Beast In Me," "Without Love," "Man That I've Become," "Heart," "Shelley My Love" and "All Men Are Liars" -- and several songs from his new CD
At My Age. He also sang what you might call his signature songs: "(What's So Funny 'Bout) Peace, Love and Understanding," "I Knew The Bride (When She Used To Rock and Roll)" and "Cruel To Be Kind" (a performance that really showcased his improvement as a singer.) He left out "Raining, Raining" and "Freezing," but the dude didn't have all night.
He said his visit to the "beautiful and dramatic Pacific Northwest" was coming near the end of a grueling US tour to promote the new CD. He said he only had a couple shows left after this, before going back to his home in England. He complimented the Aladdin, "despite its unsavory past" (it once was an X-rated movie theater that ran
Deep Throat for years), for being a favorite of touring musicians, comparable to theaters in New York, San Francisco...and Boise, Idaho.
His shadow reflected beautifully off the theater walls as he performed. Sometimes I'd turn my head and watch the shadow sing.
He had a charming conversational tone with the audience, talking about how he used to have a home in Cornwall in south of England. He said that normally this would be the time of the show where a map would come down behind him, and he could point to Cornwall on the map, but "the truck" wasn't able to get the map to the show. His Cornwall place, he said, was originally intended as a hideout to write songs at. He said he ended up not writing many songs there, but having plenty of good times getting drunk with his friends.
Now that he has a wife and kid, he told the audience, things like the house in Cornwall and "the Mercedes-Benz" have gone away. He had the audience in the palm of his hand at this point, and he gave a wistful sigh of remembrance for all the past wild times. He said he likes to do one of those sighs per show.
He talked about taking four hours to drive to London from Cornwall, and writing in his head during the trip his "folk song" called "Indian Queens." He said along the way he stopped for petrol and a sandwich.
He plugged his new CD, and when the crowd reaction seemed to indicate that most of the several hundred there already had a copy, he said it "looks like sales might be a bit weak in the lobby."
Lowe got multiple standing ovations at the end of the show, from what he called a great crowd.
After the show my friend Maitland and I went to the theater back door to see if we could say hello and thanks. Nobody was back there, and if there was any kind of tour bus, it was hidden away. We figured it wasn't meant to be, and headed to our cars. And really, it's probably just as well -- I get kind of embarrassed these days when I can't help but whoop and clap loud at a rock concert, and let my Inner Fanboy show. At my age, and with my eternally geeky looks, I feel like it must look sillier than ever. But when the music grabs me, it's hard not to go wild a bit.
***
Which reminds me of a story that proves once again that I
am George Costanza West.
In August I took my kids to see the All-American Rejects at the Oregon State Fair. I like some of the songs I've heard from them -- stylistically, they seem somewhat in the Cheap Trick mold. The
lead singer was born in 1984, around the time Greg T. was actually working on a musical project, and Nick Lowe was already considered something of a has-been. So AAR is definitely my kids' generation, not mine.
My original plan was to go hide up in the nosebleed seats, and let my kids (staying together, just to be safe) get closer to the stage and fully enjoy the show. Turns out there was festival seating in front of the stage, with lots of teenagers and young adults bunched together like sardines as they stood and waited through the setup and soundcheck and opening act. The kids and I decided that the spot we secured up in the stands, which looked down onto the stage from the right, was a better place to view the concert.
The kids, having memorized the lyrics to many of the AAR songs, whooped and sang along as the rockers rocked. It was great to watch them have so much fun.
Then, about two-thirds into the show, as lead singer Tyson Ritter spoke to the audience, he looked up at our section and noticed that not all of us had "gotten up off our asses." So he took his hand-held mike, walked behind the stage, and then went
directly to our section. He walked past my daughter Vicktoria (who, in awe, got out her cell phone and took some pics) and went up near the railing next to our section to address the audience, as the spotlights shone down on us all. He was standing right next to my son Andrew and me.
Surreal, no? I was laughing enthusiastically (and I'm sure, geekily) at the surrealness of it -- and then, feeling that I was in a position to be part of the show, I reached out and gently patted him on the back, as if to say both "Good show, mate" and "You are real, aren't you? You're not a hologram of some kind?"
Turns out I was the only one who dared touch him. He didn't seem to mind, but in the moment it seemed like maybe I broke some unspoken rule between performer and audience, and made myself look foolish. Possibly just my paranoia, but as what happened sunk in after the show, it did seem more and more like a Costanza Moment.
I love rock and roll, but rarely if ever have I mastered the art of rock and roll
cool.